Their son Ma Jiye is the only hope that can change their fate
Synopsis
Ma Chenggang and Chunlan, who have “no oil in their soup and no money in their pockets,” go to work by donkey and have a poor family. This is the third feature film, following Xia Luo te fan nao (2015) and Xi hong shi shou fu (2018) in “Slinky Town Universe,” by writer-directors Da-Mo Peng and Fei Yan, starring Teng Shen. Lu Xian Sen – I Want to Be the Wind (Official Video) My wife unexpectedly invited me to watch the latest Chinese sitcom, and I braced myself for what turned out to be quite a long experience!
Ma Chenggang, the master of self-deprecating humor, presents The Truman Show – Chinese style!
It seems he and directors Da-Mo Peng and Fei Yan anticipated that we would leave our brains at the door and accept child abuse as funny. The notion of “It’s just a comedy, so don’t take it too seriously” falls apart as an audience struggling with life’s hardships seeks a brief escape from their burdens for two hours. The film displays its fair share of creative shortcomings, but sadly, viewers seem more enthralled by the 4K visuals than any meaningful narrative structure.
When all criticism and introspection are removed, and the idea that “wealth equals paternal worth” fades away, the film becomes more interesting and exciting
The story revolves around two hours of parents cheating while raising their son in a guarded open prison, culminating in a rather clichéd ending centered on the father’s love and duty. The film is characterized by a number of situations that force us to reflect on how to deal with reality once we leave the theater. One striking element is the alarming nature of Chinese-style upbringing, where parents feel compelled to impose rigorous training on their children to turn them into achievers.
What about the less fortunate?
The philosophy that “only through hardship can one become a master” has already claimed too many victims. Is it realistic to expect everyone to thrive as predators in a competitive society? Can you really ensure that you won’t be the prey?
All in all, this film feels like a commercial comedy creation with no real social message value
The depiction of the mother is reduced to little more than a womb, with no significant influence on the plot. Li Ma’s performance as Chunlan was elegant, but her character had no impact on the progression of the plot.
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